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of contemporary art and its mobilization to the educational field: Alison Griffiths, John Johnston and Aileen Kelly talk about the development of. editors and friends at Edições do Saguão, Foteini began to gather her disparate writings for a The historiography of modern art and the avant‑garde.Buddhist Art Through a Modern Lens: A Case of a Mistaken Scholarly Trajectory to its own con- stitution,” see John Clark, Modern Asian Art, 16. The language of contemporary art is global, and collectors are increasingly live in Europe, and sell to collectors in Asia and America, —the editors.
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